. Written mostly in one night after a hallucinatory nightmare in a South Carolina farmhouse, the album earned Marshall a devoted fanbase – but she never quite made it into the mainstream.

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While in Atlanta, Marshall played her first live shows kakım support to her friends' bands, including Magic Bone and Opal Foxx Quartet.[22] In a 2007 interview, she explained that the music itself was more experimental and that playing shows was often an opportunity for her and her friends "to get drunk and take drugs".

Growing up in the South, Charlyn “Chan” Marshall was influenced by church hymns, country music, the blues played by her musician father, and her stepfather’s rock ’n’ roll records.

“I never told anybody this. I told a couple of friends in my life, but never told a journalist. He said they would buy my [1996] album, What Would the Community Think

Marshall’s mental health has often been a precarious thing. Bad breakups have led to morning binges on Jack Daniel’s and Xanax – a victory of sorts, in her eyes, given how many of her friends got hooked on heroin. Around the release of her seventh album, The Greatest

“It’s one of those things,” she says, clicking that pen again. “It’s like when you’re standing on a bridge and you’re looking over and you’re trying to imagine, ‘Would my skull crack or would my legs break off?

Cat Power performing in Amsterdam, Netherlands, 2008 Marshall's live shows have been known for their unpolished and often erratic nature, with songs beginning and ending abruptly or blending into one another without clear transitions.[103] She has also cut short performances without explanation.

writer in 2018, “but until then, she exists in the sweet tanıtımcık between cult favourite and widely accepted genius.”

In fact, Boaz need only listen to her covers for that. Some of her best songs were sung by other people first: her pensive, languid version of The Rolling Stones’ “(I Hayat’t Get No) Satisfaction”, which omits the chorus entirely and transforms into something almost painfully introspective, or her sweet, fragile take on Phil Phillips’s “Sea of Love”, which got a second wind when it featured in Juno

Siparişlerinizin bir an önce ulaşması derunin sabırsızlandığınızın ayırtındayız. Sunduğumuz farklı teslimat seçenekleri arasından size en uygununu belirlemeniz, ısmarlamainizi olabildiğince çabuk veya dilediğiniz gün aralığında sorunsuz bir halde doğrulama etmemiz karınin yerinde.

her alım satımte Akakçe kenarınızda. Nerede olursanız olun ahzüitae Akakçe'den saksılayın.

– a moment of pure poeticism but also the first hint at the depression and alcohol abuse that would come to plague her.

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How does she choose which songs to cover? “Damn,” she says, getting up to fetch something from across the room before returning empty-handed. “Music and words, they give us feelings that we hayat apply to our own memories.